THE BRIDGE

Junya Mori

Junya Mori

Junya is an editor at The Bridge. He writes about the Asian tech scene, focusing on innovation. Previously, he was the deputy editor of greenz.jp.

http://blog.junyamori.com

Articles

Storys.jp: Because business cards just aren’t enough

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See our version of this story in Japanese. We’ve all exchanged name cards while on business or at social events. But a business card can only convey certain information, such as a person’s name, the company they work for, and contact details. Storys.jp tries to tell you even more by sharing experiences in a form of story. The service was launched by ResuPress Inc. last week. Storys.jp helps you easily write up your background and details of your experience by connecting to Facebook and pulling your history. You can then create your story by entering the projects you’ve been involved in and who you’ve been working with, which will give people a more complete idea of who you are. The service also allows you to read some background information about your friends which you might not have known, potentially letting you find more things you may have in common with them. With such an abundance of information on the web these days, and with human relationships already complicated enough, the startup thought that many people might have trouble understanding others at times. Story.jp was launched with the aim of alleviating this problem. They explain: By helping people with different experiences…

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See our version of this story in Japanese.

We’ve all exchanged name cards while on business or at social events. But a business card can only convey certain information, such as a person’s name, the company they work for, and contact details. Storys.jp tries to tell you even more by sharing experiences in a form of story.

The service was launched by ResuPress Inc. last week. Storys.jp helps you easily write up your background and details of your experience by connecting to Facebook and pulling your history. You can then create your story by entering the projects you’ve been involved in and who you’ve been working with, which will give people a more complete idea of who you are. The service also allows you to read some background information about your friends which you might not have known, potentially letting you find more things you may have in common with them.

With such an abundance of information on the web these days, and with human relationships already complicated enough, the startup thought that many people might have trouble understanding others at times. Story.jp was launched with the aim of alleviating this problem. They explain:

By helping people with different experiences understand and cooperate with each other, we believe that they can create great ideas to solve various problems.

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Sharing information about yourself in this way can be a good way to reboot communications with colleagues or friends.

But at the same time, Japanese people typically don’t disclose their backgrounds under their real names in such a way. So I’m curious whether or not Japanese consumers will go for this kind of service.

The startup was founded by ex-JP Morgan employee James Riney and TIT student Koichiro Wada with a 30 million yen (about $320,000) investment from Incubate Fund, Tokyo-based angel investor Anri Samata, and Hong Kong-based angel investor Teddy Lo.

Meet the Japanese startup aspiring to bring new voices to your games

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See original story in Japanese. The high penetration of smartphone and tablet devices has made it a lot easier to enjoy rich visual and audio content. But from the point of view of game developers, it can be incredibly tough to differentiate your works from others, as great artwork and illustrations alone might not be enough. Many of them are trying to improve the sound of their games as well, in order to improve their content offerings. Tokyo-based startup, Grood, has recently introduced an online service for voice acting jobs called Voip. The startup won the top prize at Incubate Camp, a demo event held by local startup accelerator Incubate Fund last March. The startup is also known for its smartphone smash-hit app 全国告白白書 (or literally ‘All-Japan Love Confession Whitepaper’) which allows users to experience virtual love confessions to beautiful girls on the app. Voip has partnered with voice actor agencies and schools nationwide, and has enlisted more than 450 actors and actresses. By taking advantage of the country’s largest such network of this kind, the startup provides a large base from which social games or MMORPG developers can source quality voice actors. Prior to placing an order, a game…

See original story in Japanese.

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The high penetration of smartphone and tablet devices has made it a lot easier to enjoy rich visual and audio content. But from the point of view of game developers, it can be incredibly tough to differentiate your works from others, as great artwork and illustrations alone might not be enough. Many of them are trying to improve the sound of their games as well, in order to improve their content offerings.

Tokyo-based startup, Grood, has recently introduced an online service for voice acting jobs called Voip. The startup won the top prize at Incubate Camp, a demo event held by local startup accelerator Incubate Fund last March. The startup is also known for its smartphone smash-hit app 全国告白白書 (or literally ‘All-Japan Love Confession Whitepaper’) which allows users to experience virtual love confessions to beautiful girls on the app.

Voip has partnered with voice actor agencies and schools nationwide, and has enlisted more than 450 actors and actresses. By taking advantage of the country’s largest such network of this kind, the startup provides a large base from which social games or MMORPG developers can source quality voice actors.

Prior to placing an order, a game developer can ask an actor or actress to read a script as a sort of audition. When the developer chooses their favored actor, that person will then be notified about the job details. The actors can choose the work that they really want, and the client can choose from the best among all audio pieces that actors have recorded and submitted.

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Although there appears to be more overall demand for quality voice-acting these days, notable voice actors and actresses frequently featured on TV or in well-known anime charge very high guarantee fees for their performance, and that is likely beyond the reach of most social game developers.

There are tens of thousands of voice actors in Japan, but only a fraction of them can make a living without doing other work on the side. The industry is very much seniority-based, and younger actors find it hard to survive even if they are popular.

So this service is a natural fit for voice actors in need of work and social game developers who are in need of quality performances. One job on the site has received 213 applications within 10 days of being published, which is a very impressive total.

Voip is currently working on some projects for Pokelabo, a well-known social game developer also backed by Incubate Fund.

The slick new iPhone app that brings Japanese fashion trends to Asia

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See original story in Japanese Tokyo-based app developer YoutFit recently released an application called Japan Style, with the aim of bringing Japan’s latest fashion trends to the world in a magazine style. Its content will be updated every month, and its target readership will be the Asian region. So far it’s available in English and traditional Chinese. In its first edition it features products from Zozotown.com, the global version of Japan’s largest fashion e-commerce site. The app will show you fashionable shops, beautiful scenery, highly-rated restaurants, and other spots where you can experience Japanese youth culture. New content every month is not very frequent, but they might pick things up a bit in the future as they step up their marketing. Japan Style thinks that users can even use this application as a mobile travel guidebook. They want the app to be an information hub that introduces Japanese fashion spots to foreign visitors in Japan. The app is available for free over on Apple’s App Store.

See original story in Japanese

japanstyle

Tokyo-based app developer YoutFit recently released an application called Japan Style, with the aim of bringing Japan’s latest fashion trends to the world in a magazine style. Its content will be updated every month, and its target readership will be the Asian region. So far it’s available in English and traditional Chinese.

In its first edition it features products from Zozotown.com, the global version of Japan’s largest fashion e-commerce site. The app will show you fashionable shops, beautiful scenery, highly-rated restaurants, and other spots where you can experience Japanese youth culture.

japan-style-web_chinese

New content every month is not very frequent, but they might pick things up a bit in the future as they step up their marketing. Japan Style thinks that users can even use this application as a mobile travel guidebook. They want the app to be an information hub that introduces Japanese fashion spots to foreign visitors in Japan.

The app is available for free over on Apple’s App Store.

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3D printers too expensive? No problem. Fabrication workshops coming to Tokyo’s CUBE

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3D printing and digital fabrication is one of those rare technological developments that has overwhelming potential. But it can be a very expensive activity to break into. Last November, a 3D studio called CUBE opened at Shibuya in Tokyo, providing a place to test expensive 3D printers and scanners which would otherwise be inaccessible for most individuals due to their extremely high costs. The studio will hold workshops and coursework to train individuals in the use of this 3D equipment. CUBE is located on the second floor of the same building as FabCafe, a “laser-cutting” cafe run by Loftwork. The lineup of equipment installed at CUBE includes: 3D printers: manufactured by 3D Systems (US), Projet series, Vflash and others 3D scanners: manufactured by Breuckmann (SmartSCAN-HE, Body-SCAN), S3 scanner (US) 3D software: FreeForm (US), rapidformXOR/XOV (South Korea), 3D-CAD/CG The above image is of a plastic wrench produced by a 3D printer. It was distributed to the participants of CUBE’s opening ceremony held in October. As you can see, even the rotating adjustment section is included, and that sort of detail is indicative of the enormous potential of 3D printing. The possibilities are practically endless. The book The Pirate’s Dilemma also makes…

3d studio cube

3D printing and digital fabrication is one of those rare technological developments that has overwhelming potential. But it can be a very expensive activity to break into.

Last November, a 3D studio called CUBE opened at Shibuya in Tokyo, providing a place to test expensive 3D printers and scanners which would otherwise be inaccessible for most individuals due to their extremely high costs. The studio will hold workshops and coursework to train individuals in the use of this 3D equipment. CUBE is located on the second floor of the same building as FabCafe, a “laser-cutting” cafe run by Loftwork.

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The lineup of equipment installed at CUBE includes:

  • 3D printers: manufactured by 3D Systems (US), Projet series, Vflash and others
  • 3D scanners: manufactured by Breuckmann (SmartSCAN-HE, Body-SCAN), S3 scanner (US)
  • 3D software: FreeForm (US), rapidformXOR/XOV (South Korea), 3D-CAD/CG

3d studio cube 3

The above image is of a plastic wrench produced by a 3D printer. It was distributed to the participants of CUBE’s opening ceremony held in October. As you can see, even the rotating adjustment section is included, and that sort of detail is indicative of the enormous potential of 3D printing. The possibilities are practically endless.

The book The Pirate’s Dilemma also makes mention of 3D printing, pointing out that major manufacturers such as Sony, Adidas, BMW already use 3D printers when creating in-house prototypes of goods that will ultimately be manufactured at scale. Prototyping is also one of the essential elements in the Design Thinking method, and the simplicity of preparing prototypes using this new digital fabrication technology could spur a wave of innovation.

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CUBE, which gives people hands on experience with some of the most advanced equipment in the world, will be highly valued in Japan, where a new wave of manufacturers seem poised to sweep the nation.

How Japan’s SnapDish app catered to foreign foodies

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Many mobile applications from Japan aspire to reach a global audience. The food photo and recipe-sharing mobile app SnapDish is an example of such app. And so far, it has fared well. Up until now it has been available in four languages: Japanese, English, Chinese (simplified and traditional), and Korean. But it recently announced the addition of seven more: French, German, Spanish, Portuguese, Italian, Indonesian, and Thai. Snapdish now potentially supports three billion people speaking those eleven languages around the world. The app, which lets cooking enthusiasts edit and share food photos, was launched in May 2011. To date it has cataloged more than 1.7 million pictures, with more than 10 million Yummies (similar to a Facebook’s Like function). SnapDish is getting more and more popular, mainly among people who cook at home. They are able to connect with a wide range of people and chat about cooking through photos and recipes. We recently spoke to a SnapDish representative in charge of language support. His comments follow below. SnapDish on going global SnapDish representative: When developing and designing the app, which we launched in May of 2011, we had overseas users in mind from the very beginning and we planned…

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Many mobile applications from Japan aspire to reach a global audience. The food photo and recipe-sharing mobile app SnapDish is an example of such app. And so far, it has fared well.

Up until now it has been available in four languages: Japanese, English, Chinese (simplified and traditional), and Korean. But it recently announced the addition of seven more: French, German, Spanish, Portuguese, Italian, Indonesian, and Thai. Snapdish now potentially supports three billion people speaking those eleven languages around the world.

The app, which lets cooking enthusiasts edit and share food photos, was launched in May 2011. To date it has cataloged more than 1.7 million pictures, with more than 10 million Yummies (similar to a Facebook’s Like function).

SnapDish is getting more and more popular, mainly among people who cook at home. They are able to connect with a wide range of people and chat about cooking through photos and recipes. We recently spoke to a SnapDish representative in charge of language support. His comments follow below.

SnapDish on going global

SnapDish representative: When developing and designing the app, which we launched in May of 2011, we had overseas users in mind from the very beginning and we planned to launch its English and Japanese versions at the same time. So with the intention of having an English user interface, instead of simply translating the context literally, we designed the app so it would be easy to use for both Japanese and non-Japanese users.

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We also paid close attention to whether or not English expressions in the app sound fun for English users. For example, there is a button called Mogu Mogu in the Japanese version. This works like Facebook’s Like button and users can click it when they like other users’ photos. But in the English version, this button is instead labeled Yummy. Whereas Mogu mogu translates more literally into English as nom nom or chomp chomp, but since such expressions are not as friendly or appealing in English, SnapDish chose the more natural-sounding Yummy. We are taking equal care to use natural expressions as we expand into other languages.

As a result, the application has been regularly downloaded overseas since its initial release. The app gained many users, particularly in Southeast Asia and Chinese-speaking regions, and we quickly learned that it’s not only Japanese foodies, but also folks in other Asian countries like the combination of food and photos.

Even after launching apps, we figure out users’ needs and try to meet those them. For example, genres that can be tagged on pictures are customized to each countries’ food culture. Since the application was developed from the very beginning with foreign users in mind, many users overseas regularly report that they didn’t realize that the application was Japanese. American users often assume that it was developed in an English-speaking country. Such feedback confirms that even foreign users can use the application seamlessly.

Building the business

SnapDish representative: Last year, we expanded our service further by partnering with large foreign companies such as China’s Renren.com and Korea’s SK Planet. Thanks to these partnerships we realized that there are many people who think the SnapDish app can meet the needs of Asian consumers, and that our service can add value.

Also, we actively applied for overseas startup pitch events last year and participated in Singapore’s Echelon in June, Taiwan’s IDEAS Show in July, and GMIC-SV which was held in San Jose, USA, in October. At those events, we not only made presentations but also set up our booth in venues, so we were able to talk with existing overseas users and build our network. We were even interviewed by foreign media companies, so it was very beneficial from a promotional standpoint as well.

We were well-received especially in Asia, and we had a chance to pitch at Echelon as one of the top 10 startups selected from six Asian countries. We asked an event organizer about the reason why we were selected, and we were told that we differentiated our app from other food photo apps with a home-cooking feature, and that it was great that we had developed a monetization plan.

What’s next for SnapDish?

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SnapDish rep: While still paying attention to details in the app, we are looking to provide promotional and communication features that fit in with each local market. For example, we are planning to launch our gift campaign, which is only available in Japan at the moment, to foreign markets.

We continue to put our priority on Asia for our international business. Of course, it doesn’t mean that other regions such as Europe are not important. In Asia, we have already established a substantial user base and are forming a community there. We are already well-grounded in the Asian market, so we would like to solidify that market position.

We also want to continue to take part in pitch events abroad, and at the same time, just like we promoted our service in Asia last year, we are looking for a chance to do the same in Europe as well.

If you want to download SnapDish, you can get it here for iOS and Android.

(Photo: e27)