THE BRIDGE

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Singapore’s Viddsee marks 5M viewers since its launch

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Singapore-based Viddsee, the operator of an online platform that showcases short films from Asia, announced this week that it has surpassed five million unique viewers since launching in February 2013. The company has also rolled out an editorial feature called Viddsee Buzz, which is a sort of blog/news channel that highlights selected films with greater context. Viddsee aims to bring Asian short films to global audiences, and it will be interesting to see how it can grow from here. I don’t think this genre benefits from a wide fan base as a startup like Tokyo Otaku Mode (which showcases just anime, manga, and cosplay), but no doubt there are many people who wish to explore Asian films in depth, and so its good to have a centralized repository like this on the web. The service has a strong following over on its Facebook fan page so far, with over 42,000 fans. That growth, we understand, has been entirely organic. Viddsee features a selection of video channels, many of which have a regional focus, including Node Japan, which highlights movies from Keio Media Design’s indie film portal, Node.

viddsee

Singapore-based Viddsee, the operator of an online platform that showcases short films from Asia, announced this week that it has surpassed five million unique viewers since launching in February 2013. The company has also rolled out an editorial feature called Viddsee Buzz, which is a sort of blog/news channel that highlights selected films with greater context.

Viddsee aims to bring Asian short films to global audiences, and it will be interesting to see how it can grow from here. I don’t think this genre benefits from a wide fan base as a startup like Tokyo Otaku Mode (which showcases just anime, manga, and cosplay), but no doubt there are many people who wish to explore Asian films in depth, and so its good to have a centralized repository like this on the web.

The service has a strong following over on its Facebook fan page so far, with over 42,000 fans. That growth, we understand, has been entirely organic.

Viddsee features a selection of video channels, many of which have a regional focus, including Node Japan, which highlights movies from Keio Media Design’s indie film portal, Node.

Old-school art meets modern day funding in Japan

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This is part of our Crowdfunding in Japan series (RSS). Services like KickStarter have become a global phenomenon with the power to let creative individuals take their ideas to new heights. It’s happening here in Japan too, most notably on Campfire, the country’s answer to Kickstarter. From Sukimaki Animation, While the Crow Weeps is a short animation using multiplane cameras, implementing a technique often used in the past to create 3D effects in traditional cell animation. In While the Crow Weeps this method was used to capture each individually hand-drawn frame. The subject of the art series is a group of crows, and in addition to the unique camera technique, it also uses Japanese paper (washi), black India Ink and mineral pigments as painting materials. By choosing these unusual, older methods, the project aims to expand the expressiveness of the artwork. Using this multiplane camera technique in production is very rare in the age of personal computers. The technique gives the artwork a distinct atmosphere and warmth that cannot be expressed with digital processing. The Campfire campaign aimed to raise JPY 300,000 (about $3,300) to fund production costs. That goal was reached successfully on December 13, 2012, and the project…

crows-tears

This is part of our Crowdfunding in Japan series (RSS). Services like KickStarter have become a global phenomenon with the power to let creative individuals take their ideas to new heights. It’s happening here in Japan too, most notably on Campfire, the country’s answer to Kickstarter.


From Sukimaki Animation, While the Crow Weeps is a short animation using multiplane cameras, implementing a technique often used in the past to create 3D effects in traditional cell animation. In While the Crow Weeps this method was used to capture each individually hand-drawn frame.

The subject of the art series is a group of crows, and in addition to the unique camera technique, it also uses Japanese paper (washi), black India Ink and mineral pigments as painting materials. By choosing these unusual, older methods, the project aims to expand the expressiveness of the artwork.

Using this multiplane camera technique in production is very rare in the age of personal computers. The technique gives the artwork a distinct atmosphere and warmth that cannot be expressed with digital processing.

The Campfire campaign aimed to raise JPY 300,000 (about $3,300) to fund production costs. That goal was reached successfully on December 13, 2012, and the project has since stopped seeking additional patrons. The artwork is scheduled to be completed by this spring.

For an idea of how this artwork looks, you can see the video clip below.